PERSONAL ANALYSIS 5
Personal Analysis: The Colosseum and Ballet
Currently a mere shell, the Colosseum is still ancient Rome’sutmost architectural heritage. It was the biggest and mostmagnificent construction during the era of the Roman Empire. It is alasting historical object of the creativity, as well as reliabilityof Roman architecture and engineering. The Colosseum compares to acurrent day football stadium. I think that the amphitheatre had thebest design, when compared to previous constructions and those thatcame after. Its design has had major influence on westernarchitecture. The impact is notable in numerous currentconstructions, like the western arena, the utilization of arches andkeystones in constructions are apparent in current day banks andchurches. The fazade of western constructions seem to take shapebecause of the Colosseum.
Despite having the best design, I also think that the architecturevocabulary of the artwork is reserved for an amphitheatre whosebuilding covered the reigns of numerous Flavian emperors. Theapplication of an expansively arcuated form of decoration imitatesthe Theater of Marcellus. This creates a neat conclusion of theradial passageways. The form selected in articulating the arcuation,fornix, was borrowed from its original employment at the Tabulariumbecoming a widespread motif. The Colosseum when compared to otherworks during the period depicts rather reduced orders (Lyes, 1999).The engaged discourses comprise of bases, while the shaft, entasisand bereft directs to a basic capital. The Colosseum’s structurewas made of mostly marble. The marble initially covering the fazadewas burnt to quicklime in the Renaissance. However, during theBaroque age ruling Romans employed it as a source of marble inbuilding St. Peter’s Basilica.
I suppose that the work of art was more political thanarchitectural. The design of the Colosseum reinstates the Flavians asthe actual inheritors of the Julio-Claudian Empire, while demolishingthe reminiscence of Nero (Darwall, 1991). The dichotomy amid thefusion of community and the separation of society raises two themes.As an entertainment arena, the amphitheatre was open to all Romans.However, people were arranged in the arena depending on their status.There is no other work of art during the period that effectivelyincluded the functional demands of an alienated community into itsstructure. As a functioning construction, the Colosseum is creditedfor ideas on how to manage spectators in a method, which progressesto be employed in current stadiums (Lyes, 1999). Although it iscurrently breaking down, the work of art has managed to stand inplace for years in the past 2000 years. It will forever act as anartifact of prominence of the Roman realm.
Ballet in the Renaissance is a work of fine art. Its influences arestill apparent to current day ballet dances. During the Renaissancecommunity, dance was not only regarded as a source of entertainmentor outward recreation. I think it was an intensely intellectualexperience for the dancers and audiences. Sixteenth era dance,similar to poetry, painting and other forms of art was imparted withadvent significance and innovations as an immediate outcome of thefindings of humanist scholars. The scholars’ intention was toreconstruct the powerful impacts of ancient Greek drama (Kirstein,1984). Ballet in the Renaissance achieved its objective byenlightening and edifying its viewers. It was a form of choreographyart, greatly informed through humanist principles. In addition, theart was imbibed with layers of significance, which were naturallyethical, truth seeking and opinionated.
There are stylistic features of Ballet during the Renaissanceperiod. It was a form of expression, which employed exceptional andcodified language. The ballet dancers were an illustration of themanner a dancer’s body becomes strong, toned and flexible whereasexpressing itself through attractive fragility. The main character inthe dance is a woman, in most instances dancing with a male lover.This communicates the love theme apparent in ballet dance. During theRenaissance, dancers would perform during weddings and celebrations.For instance, the initial kind of ballet comprised of dancesorganized by highly noble Italian city-states (Kirstein, 1984). Largeoccasions were held in celebration of weddings, comparable to openingevents during the Olympic Games. I think the use of floor patterns isstylistic. Ballets dancers employed numerous circular shapesfrequently around the central dancer, which are recurred and advancedall through. Another attractive feature is the use of straight linestowards viewers. They are fast, calculated and effective when dancedtogether by all dancers. Without stylistic features, it would beimpossible to enjoy watching ballet dancers.
Although the Renaissance ballet dancers managed to entertainaudiences, they were not as highly trained as current ballet dancers.From the historical period, ballet has become a greatly technicaltype of dance. Ballet dance is accompanied with the playing ofclassic music. Renaissance ballet has been successful in coming upwith an influential form of art. Ballet is an international dance,which is instructed in ballet schools where different people employtheir unique cultures in informing the art. Dance work is designedand involves imitating and acting. Current advancements entailexpressionist ballet.
Darwall, S. R. (1991). Thornton, Julio-Claudian Building Programs: AQuantitative Study in Political Management. The Journal of RomanStudies, 81, 211-212.
Kirstein, L. (1984). Four centuries of ballet: Fifty masterworks.New York: Dover Publications.
Lyes, C. J. (1999). The Colosseum: An Analysis of the InherentPolitical and Architectural Significance. Roman Architecture fromAugustus to Hadrian, 1-9.